Blockbuster movie review: here is A review of The Terminator you (probably) have never read or heard of. Not anti-tech movie but anti-alternative culture to the Big Brother 4th Reich. It is one tiny scene but sets the usual programming for hate and misrepresentation of a minority group. In this case, although it's white males, they are not macho men and shown to be miscreants, destroyers of property, dumb and nasty--and in fact, having had experience not in LA in that scene but in other places, I have never seen or met anyone "punk" who behaved like that during that time, or now if any of that scene remains but when I was last around it in Miami in a club that was closed down (called Churchill's Pub in Little Haiti) it was a nice group of people with great humor not endorsing violence. The violent punks were the skinheads who are Nazis, macho like the terminator and cold and meaningless like robots filled with hate. But as usual, the hate for anything alternative to the 4th Reich is misrepresented and the murdering robotic terminators glorified through a kind of reverse psychology instilling this into the minds of the viewers. I saw it very clearly in Once Upon a Time in Whorewood, echoed in "real life" but in teleportation by the pit hell team of hate and murderous death energy sucking and poisoning and abusing and raping and torturing non-stop. They are the "normal" and the "good" in the view of H-wood and it's targeted mind programmed audiences.

 "T-800 Arrival/The Terminator/Open Matte, Remastered". Flashback FM. November 19, 2019.





I wrote a post on Facebook today which remarks on a, what I considered to be, anti-Muslim theme from a semi-humorous and semi-psychological/sociological analysis done serious from a German (Berlin) tv/YouTube channel called "Hilf Mir (Help Me!)". It has some very silly but serious themes, all combined so it's very entertaining. I understand maybe 80% of the language as Berlin German is not as daunting as Frankfurt or Stuttgart Schwabish.

This particular video, which I am too tired right now to write about, is about a woman who met some Turkish man on her vacation and brought him back to be her lover. This is not an original theme in Germany nor in German movies (from my experience and from watching Fassbinder films).

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At the end, after she got screwed but not (as in thrown to the curb) she said calmly, "Selber Schuld", which translates to "my own fault". Self-responsibility is almost a religion to some people, and in Germany this is used to circumvent the "victim" narrative to be used as some kind of learning lesson on how to avert the same types of problems within one's environment or self (that is how I translate the meme to mean, no one ever explains it as such in Germany they just say "Selber Schuld" usually to someone else complaining about a situation--as in, "shut up and look at what you did" or didn't do..etc

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I then got a few A S-negger movies, one in particular The Terminator. I thought that years ago I had watched one of these Terminator movies and got years of S-negger having people threaten to kill me for saying no to his Karen entitlement attitude of me doing his bidding so he can exploit me with ease. 

I thought that, wtf he's already harassed me for YEARS for just clicking on one of his movies in this "cock-a-many" scheme of whenever I click on a movie or anything online the person who rushes to use this as means to participate in this horrific techno-tyranny crime just blames me for clicking on their channel (they of course never blame themselves). It inevitably lead to my body being slowly killed by yet another vicious and starving leech fixated on every promotion possible bestowed by this most inhumane Nazi 4th Reich organization which puts such "people "into power and keeps them there indefinitely.

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So I began to watch, viewing the movie as a kind of sociological phenomenon in so many ways. How outdated the computerized and animated tech was back in the mid-80's. But more importantly for this analysis which was supposed to be brief, and it's not---it showed the LA scene when punk was a vibrant component of "acceptable" deviance, which was the norm back in those days.

Almost at the beginning the macho male naked strides in robotic fashion but like a cobra with his chest outstretched like he was about to strike a deadly blow.

The team of punks with dyed blue hair (I used to try to dye my hair blue at that same sort of time era) had just broken a telescope for public view of the LA skyline--late at night early morning around 3 a.m.. The macho representation of the 4th Reich came to demand clothing. The punks got out their knives like "punk" gangsters in a gang waiting for any kind of brawl instantly. Again, I don't know LA culture and certainly not at that time but my experience with punk and that scene was far, far, far different. If anything, people were too stoned and passive or high maybe on cocaine and speed but I never once saw a fight or experienced anyone with knives or breaking things--not once in all those years of going to concerts in San Francisco--in the Mission which was pretty alternative a punk scene and not dissimilar or far away from LA.

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And instantly the most mean and nasty "thug" "punk" was lifted up as The Terminator literally punched into his chest and grabbed his heart and ripped it out of his chest for the audience to see. It was the most gruesome death, heralding a most virulent HATE for this subculture and misrepresenting it and turning it into criminals who deserved a fate worse than death.

The Terminator then wore the punk clothing throughout the rest of the movie until he was burned to a crisp and then the CGI took over and S-negger got to sit back and not act like a robot any longer but instead--well, I can't say now but I have a few choice descriptions at this point.

However, like Once upon t a time Hatewood with very very violent pitt beating people most awfully to a pulpy bloody death, what they "deserved" for being not merely murderers, because that is so usual in H-wood movies. But the term, "dirty hippies" was repeated very often and the most awful depiction of that former subculture was another nail in the coffin of that movement. 

I had written posts about how I believed Manson was used by those alphabet soup agencies as a mind control subject, subjected to drugging and mind control experimentation in all his years in prison. There is evidence of research having been done in various California prisons on LSD mind control and other mind control drugging. The U.S. Government had a huge interest in quelling all these "peace" subcultures and turning them into villains. I believe the usurpation that goes on, with what I write which is stolen by absolutely moral-less hateful nasty bigots who turn my ideas into their glorification as Nazi iconographic images with very little besides greed, sleaze and pretentious posturing and a lot of coaching and plastic surgery which in turn is compounded by their own puppetry mind control program of absolute tyrannical entitlement which is a key programming component of the upcoming 4th Reich with all this technology that no one will reveal.

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So Terminator #1 had the "punks" brutalized and killed in the most awful ways of any victim in the entire movie. They wanted to suck the very HEART and soul out of all these non-compliant subgroups and the Nazi robots programmed in that fascist endless burning Swastika cross of never-ending violence and unstoppable death machinery to take over the world--and the enemy really was portrayed very early on in the form of the punks being usurped by fascist Nazi imagery (wearing their clothing but like hard core fascist Nazi punk taking over the movement after killing off the original and the peaceful and the original thinkers.

As for the hippies, this applies as well. That is all I can write today as the healing process is either at a plateau and I am going nowhere and just sick from fighting endlessly to break this poison out, or I must be sick until my body acclimates to the next set of exercises I am learning from the new Sifu that are in this situation.

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There is no doubt that the people I have been writing about have been murdering me and have gone off giggling and laughing about it. It truly is a holographic image of all the murders of punks and hippies and alternative miscreants the Big Brother 4th Reich hates with viciousness--as they co-opt the movements to sell new original ideas the robotic computerized terror machine is really behind the emperor's clothing.

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I believe, as I wrote, which Tarantino obtained some of his ideas from (please note the history of my writings for years about this subject of interrogation and hacking and theft of my ideas they just steal and sometimes delete what I have written afterwards, which I hope Mark Zuckerberg has actually taken care to save but who knows?)_

I wrote that I believe Manson was a mind control experiment and that he was set "free" to infiltrate the Hippie movement in order to turn it into a fear and terror image for people to just turn away from this most threatening anti-war movement. The success of Manson's programming of his own subjects in his "cult" was so amazing that Manson has held sway over the population for this effect. It is a rabbit in a hat trick because this is mind control with LSD openly distributed and other mind control tricks. traumatizing and sexual abuse and prostitution so all the portals of entry are completely exposed and the targets are completely unable to think independently for themselves, beaten raped and drugged but done in a setting of "freedom". I also wrote that this attempt was combined with the "uprising" of the Hippies calling for Revolution a la The Beatles to also dispel the utter power of John Lennon and his influence around the world for a peace movement. 

Oddly, the movie Terminator uses the concept that a militarized robotic "defense" system with AI capabilities made an instant decision within a fraction of a second to terminate the human race so as to save the planet from the excesses of a greedy and consumer culture. On one hand this echoes the sentiments of many punk bands and hippies and those "alternative" movements, but then places it in the hands of a Nazi-imagery robot turned "docile" by the "love" of a little miscreant boy but he's more like a 50's boy toy from a conservative boy's home than a peace-loving alternative type.

Thusly, the "alternative" movement is transferred to Nazis once again as The Terminator turns out to become reprogrammed into the sort of image that the hippies and the early "punk" scene had been fomenting as reaction to the war machine and the death and hate consumer societies which keep people in robotic boxes and identity niches.

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